Tai Chi—Dance of the Tao
By Alan Davidson

Alan Davidson is a contributing author to Healing the Heart of the World, a compendium of essays by such authors as HRH Prince Charles, Caroline Myss, John Gray, Andrew Harvey, Naomi Judd and Neale Donald Walsch. Alan, a Registered Massage Therapist since 1988, is the owner and director of Essential Touch Therapies in Houston, Texas. He has a Bachelor’s of Science degree from the University of Houston, Downtown, with an emphasis on psychology, sociology, philosophy and religion.  Alan is fascinated with the intersection of bodywork, psychology, ritual and spiritual practice.  Having taught massage, meditation, yoga, and human transformation since 1990, he is currently on the teaching staff at NiaMoves Studio. Alan sums up his years of study with one wholehearted belief:  “Life is for the fun of it!”

GUILIN, China, June 1992:  “Heaven and earth,” I called out.  Together the group moved in silence.  When our hands came to our hearts in prayer position and then separated, tracing the line of the horizon, I felt a growing sense of awe.  The ancient city of Guilin lay beneath us.  The massive islands of stone and trees piercing through the mists from the river below had inspired artists for thousands of years.  Our rooftop perch, five stories above the city, gave us an easy view.  It was truly beautiful. Adding to my awe was the juxtaposition of cultures.  I was teaching a group of Chinese graduate students a simple tai chi form. “Fire,” I continued.  Hands slowly met at our navels, we stepped out lifting our palms to the sun.  “Water.” Our palms slowly pulled the mists down over our heads.

I traveled to Hong Kong and Guilin with Ray Wright, my philosophy and world religions teacher.  He was returning to China to teach a three-week class in English for graduate students at Guangxi Teachers University. Four students from the University of Houston, Downtown, myself included, joined him to attend those summer classes. We were each assigned a graduate-student host from the Teachers University: Wei, Benjamin, Sophie, and John Paul. They acted as translators and guides to help us with our senior-project papers.  My research paper involved interviewing students and townspeople to gauge “The Effects of Communism on Taoism and Buddhism in Chinese Culture.”  The graduate students were terrific and generous hosts.

I quickly fell into a trio with two of my fellow Americans, both named Sharon.  Our dormitory was off campus near the central city.  We often walked through town exploring and were quite a sight together.  Sharon Attra was a short, wiry woman with a butch, blue-black, flat-top haircut.  Sharon Holder-Coleman was a round, dark black woman from Jamaica with beautiful long braids.  I was six foot, four inches, two hundred-plus pounds, and towered over everyone.  The hordes of Chinese bicyclists would slow to a crawl to gawk at the unusual sight of us walking through town.

Wei was being groomed for membership in the Communist Party.  The wounds of Tiananmen Square were still fresh; our new friends were cautious of the government and careful of the sanctions imposed on all university students afterward. They could only speak honestly with us in Wei’s absence. Our student hosts were each well versed in United States culture. Their grasp and depth of knowledge was incredible. They knew every bit as much about American sociology and psychology as we did (in some cases, more).

However, our Chinese hosts did not know much about Taoism or tai chi; they considered the practices quaint and old-fashioned.  I was surprised by the paradox.  Our hosts could rattle on about the differences between Faulkner and Hemingway, but I met only one student who had read the Tao Te Ching.  I was fascinated with this ancient Chinese classic text and the movements of tai chi. A few mornings I got up very early and rode a bicycle through town to see the old men and women “dancing the Tao” in the parks.

On a bike ride one afternoon through town, a handsome, well-dressed young man named Benjamin pulled up beside me.  He asked if he could practice his English while we rode.  Benjamin spoke fairly good English.  After riding and talking for a while he invited me to his apartment.  I was surprised to learn he lived alone in a one-room efficiency; most Chinese lived with their extended families. He worked part-time as a truck driver, and most of his money went to pay his rent.  I learned soon enough why his little apartment, a seeming extravagance, was a necessity.        

Benjamin was gay and needed the privacy.  He opened my eyes to the plight of gay people in China.  Most Asian men with homosexual feelings married women to preserve the status quo of family and society.  Very few identified themselves and lived openly as gay.  Once arrested for indecent behavior, a gay person in China could expect years of imprisonment and hard labor.  It was easier to pass as “straight” with your own wife and family. Chinese homosexuals frequented “gay hangouts” and had clandestine male love affairs on the side.  Benjamin felt tormented because he knew he was gay. He didn’t want a wife and family. He longed to live openly.

The day before I left Guilin, he begged to go with me.  My heart ached.  I knew his tears weren’t for our little tryst.  They were for a life of courage and freedom he dreamed of in the West. Even if he could get a visa, I knew I couldn’t afford the thousands of dollars in sponsorship fees.  And I couldn’t afford to support him back in Houston.  I was working two jobs to pay my own way through college.  I did send money back to him several times to help with his junior-college tuition and so he could have some fun.  A hundred dollars, what I earned giving two massages, was most of a year’s salary to him.

“Wood/wind,” I called out.  Our little band of Chinese and American friends turned to face the river.  Pushing off we each slowly opened and made the three-quarter turn, taking in the setting sun.  “Metal,” I called. I focused inside myself as my scooping hands compressed into my center the beauty of China, the pleasure of my new friends, and the thrill of an adventure come true.  “Tiger returns to mountain” I whispered as we wound down our exercise. 

We lingered on the roof, laughing, talking and sitting on the ledge of the building as the sun sank behind the ancient mountains. Later we trailed down the steps to our final Chinese feast to wish us farewell.

I started my studies in tai chi in the fall of 1983, when my friend J.D. and I met Tory Fritz and Kim McSherry at a store named the Aquarian Age Bookshelf.  We took beginners classes through their Houston Institute of Astrology.  Kim studied regular tai chi classes taught by Jane Shorre in a lovely Montrose studio, and J.D. and I were soon regulars too. We would dance our tai chi moves across the after-hours dance floor of Rich’s Disco downtown (not what most tai chi teachers have in mind for practice).

Jane was a student of Chungliang Al Huang, a dancer and tai chi master.  Chungliang is known for his love of laughter and for dancing the tai chi forms. He seeks the inner life and spontaneity in all things.

There is a tendency in spiritual practice to focus on the minute details of a form.  The forms, in turn, can become static and rigid. Chungliang tells the story of a German aristocrat who became so obsessed with his tai chi that he lost any and all spontaneity in his movement. One day while practicing in the park, a dog walked up to the aristocrat’s leg, sniffed, and hiked its own leg and peed.  The man’s practice was stiff as a fire hydrant.

I included the Five Elements of tai chi in Body Brilliance to inspire you to explore these ancient Chinese principles and exercises, as I was inspired.  In describing the Five Element forms, I have been as specific about the movements as I can. There is no instruction on breathing through these forms.  Let your breath happen naturally as you move, finding its own rhythm. Once you feel comfortable with the forms, let them dance through you. Play with them.  Jane once called tai chi the “Dance of the Tao.” Make it so.

Tai chi, like yoga, is an entire system of exercise and philosophy that works through the body, harmonizing the body, emotions, mind, and energy. In this way it is a tonic; it nurtures the whole.  More than a thousand years ago, Taoist (pronounced Dow-ist) monks needed to protect themselves from violent Chinese warlords and roving bandits.  The monks blended 4,000 accumulated years of Chinese healing and martial and meditative arts to create tai chi. The synthesis of these arts includes an extraordinary number of exercises. Some are for stretching, some focus on the breath, and others are meditative. 

In tai chi the body is equally as important as the emotions, the mind and the spirit.  This equality creates the harmony necessary for good health and spiritual excellence. The body becomes the fundamental foundation for the higher senses of an open heart and clear mind. Tai chi exercises, at the physical level, relax tense muscles and improve joint movement, increasing their range of motion.  In traditional Chinese medicine, the health of the joints determines the amount of chi, or subtle energy, that flows through the body. The joints are the “gates” of the chi.  Tight, stiff joints produce sluggish chi and dimmed vitality.

Essential to good tai chi practice is a basic understanding of the tan t’ien, or dantien:  the energy and gravitational center of the body located just beneath the navel. Ron Perfetti, a tai chi teacher who lives in Hawaii, describes the importance of the tan t’ien in getting out of our head and into our bodies: 

The sinking of mind is related to the idea of attention in the lower Tan T’ien, or pelvic area. This denotes the relaxing of the attention usually held in the head, shoulders, and chest, allowing it to settle down to the Tan T’ien. The result of this is a shift out of being top-heavy (and thought-oriented) into the experience of being centered (feeling/sensory-oriented).

This shift from being “top-heavy” to “being centered” is valuable for many reasons. With all movements flowing from this powerful center of gravity, the natural alignment of the hips, pelvis, shoulders, and head. It is also primary to being clear-minded. Perfetti continues:

The number one condition that inhibits an individual from achieving excellence in anything, including one’s own health, is a state that traditional Chinese medicine refers to as being “weak-minded.”  This weak-minded state implies one who is easily confused, scattered, or distracted.  So the first quality to be developed in T’ai Chi is that of strengthening one’s concentration, or what is referred to in the martial arts as being centered.

The Chinese Masters consider “being centered” the ability to focus, without distractions, on the present moment and our present experience with our complete and full attention.

Cultivating grace is important to growing consciousness for its focus on the body as it moves.  Sitting meditation and the steady poses of yoga concentrate on the sensations of the body in basic stillness.  Exercising grace focuses attention while we move.  One of the things I love about tai chi is that I have to pay attention.  If my mind wanders I lose the flow of the tai chi forms.  I have to stop and remember where I am, regroup, and proceed. I catch my mind wandering much more quickly than in sitting meditation.

Change, as it’s often said, is the one constant in the universe.  Yet we humans often resist that constant change with dread.  Such resistance is futile, as life has a way of crashing through our best defenses.  Conscious movement helps us learn to accept change.  Exercises in grace may begin as a way to increase our strength or improve our balance.  But change slowly becomes our friend. We find our balance in the midst of life’s constant metamorphosis.  And consistent exercise leads to emotional, mental, and spiritual change.

Creative strength [heaven] is within the waiting [mountain]
forming the condition for Potential Energy.
An enlightened person, therefore, is familiar with
words of the wise and the deeds of the past.
He thus nourishes his character.
The Illustrated I Ching, verse 26 (Wing)